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It was a bit frustrating to hear only parts of songs but it was satisfying to hear so many. The long medley of nearly a dozen tracks was a vivid reminder of the album’s flawlessness and timelessness. Then it was time to pay tribute to what is arguably her most-loved album, My Life, which is also celebrating a silver anniversary. Nas would join her mid-set to reprise their first collaboration, Love Is All We Need. Throughout the show, she joined them, dancing uninhibitedly, as if no one were watching. She was accompanied by a stellar band and four agile dancers. The irresistible Real Love was another big moment, of course. She evoked that feeling many times, like during Enough Cryin’ and Love No Limit, two songs on opposite ends of the emotional spectrum and two early highlights. Live, she conjures a deep sense of intimacy at times it’s as if she were singing to just one of the 6,000 people in attendance-as if we were eavesdropping on a personal conversation (that is, if it didn’t feel like she was addressing you). She may not be the most technically perfect singer, but the naked emotion and expression she pours into each song is unsurpassed. Blige is how her voice delivers the lyrical weight of her songs. From there, she would visit nearly every record in her discography, including her latest, Strength of A Woman, released in April 2017. She opened with I Can Love You from Share My World, the set’s most-favored album she would perform five of its tracks. Then she unleashed 80-minutes of raw and real music, ballads and anthems that express candidly and genuinely a wide range of sentiments and emotions. and the R&B-infused You Owe Me.Īfter a brief interlude between sets, Blige made an entrance suitable for a queen: Wrapped in a cape and sporting knee-high boots, she traipsed down a lighted runway to a rousing ovation. Burnside’s Woke Up This Morning (better known as the theme to The Sopranos) Hate Me Now, which aroused an outburst of cheers and much rapping-along the hopeful The World Is Yours and If I Ruled the World, which started a happy sing-along Hate Me Now, from 1999’s I Am. Other bright moments of the 45-minute set, which plumbed at least eight of his 11 albums: Got Ur Self a Gun, which featured several grimy measures of R.L. Nas was backed by an ensemble that included a DJ, a drummer and a keyboardist, who was deployed to lay down some sweet Beethoven licks for the intro to I Can, a track from God’s Son and one of several highlights. His set leaned heavily on that record, featuring, in snippets or full-length versions, tracks like It Ain’t Hard to Tell, Life’s a Bitch, The World Is Yours-most of them vivid dispatches from the hard-knock street life. Then Blige relinquished the stage to the charismatic Nas, who, garbed formally in black tie, set off on a career-spanning journey that honored his best and most-beloved work, especially Illmatic, his breakthrough debut album released 25 years ago. From start to finish, both performers lived up to their reputations and legacies.Īfter a blast of flashpots and some fanfare from the band, the two took the stage together to perform Thriving, a single they released in July, and then Reach Out, a collaboration from 2012. Blige, the consensus Queen of Hip-Hop/Soul and Nas, one of the greatest rappers ever. The Royalty Tour is a 140-minute celebration of two storied artists and two regal careers: Mary J. Best of luck and congratulations.By the end of Tuesday’s show at Starlight Theater, both headliners were on stage, awash in a gale of love and adoration that was richly deserved. Jon Batiste’s career is shining brighter than the stars. And I, for one, am excited for the future that he has ahead of him.” It is all of these attributes that will allow him to continue to grow and accomplish all that he sets out to. Jones continued, “What I love most about Jon as an artist and human being, though, is that he has handled his success with grace, and his creativity with humility. He has taken all of that foundational knowledge about our music and made it his own, unafraid to stretch himself as an artist and continually evolve.” Jon has a particularly keen understanding of that rich cultural history and an awareness of the importance of carrying that history forward.
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As the birthplace of jazz and the blues-the music that the world has adopted as its Esperanto-New Orleans holds a special and sacred place in our culture. Quincy Jones wrote of Batiste in the Time tribute saying, “I first became aware of Jon’s extraordinary talent the year before he landed the gig as bandleader and musical director of “The Late Show With Stephen Colbert.” When I heard that he had New Orleans roots, it all made perfect sense to me.